She acted smartly as she used to collect details or hide around or dress up to get things done. Since she lost her memory, her wit and intellect were very helpful in locating the third Kira, and she was allied with L as a valued asset at the time.
She was made to stand still and was unable to move her body. She also requested Rem to kill her so that Light would be free from any accusation and therefore, to save Light, she gave up the Death Note and sacrificed all her memory of being Kira only for Light. She was passionately in love with Light, and more than she was determined to do anything for him.
After learning of his death, she was shattered and eventually ended her life as shown in the manga. In the anime, though, she was seen standing at the edge of the building and it was predicted that she died.
Her past was indescribably traumatic, and she was only faithful to the guy who had avenged the death of her parents. Published 19 February 4 min read. By Aakanshya Satapathy. Prev article. Next article. Share Tweet Send. Related Articles. Demon Slayer 2 October It's also during a TV festival attended by Sayu Yagami. Instead of Ukita, Kanzo Mogi runs to the station to get the broadcast to stop, and Misa kills him with her Death Note.
Witnessing Mogi's Death Note, Sayu becomes upset and calls her a "murderer", which causes Misa to freeze with a flashback to her murdered family, and she stops. When Light comes to the station for Sayu, Misa sees him on her way out, which is how she discovers his name. After confinement, it appears that she and Light share a room at headquarters, and she comments that it's like being married.
At the end of the second film, her memories of the Death Note are still intact when Light dies, and she witnesses the final showdown between Light and L. Misa cries in anguish as she can do nothing but watch as Ryuk kills Light. Misa was likely taken into custody, but L burned the Death Notes and Misa lost her memories. Misa is not prosecuted and is eventually released. Unlike in the original series, Misa does not commit suicide following Light's death.
Instead, she is seen wishing Light a happy birthday before a family shrine, which holds Light's picture and a picture of Misa's family. She feels that a part of her life is somehow missing, or that she has forgotten something important. However, she doesn't remember what it is. Misa is a successful model and actress. Although nothing suspicious has happened with her, she remains under surveillance by the police. Yuki Shien gives her one of the Death Notes, and her memories of events come back to her.
Shien meets her secretly in her car in the parking garage, where the cameras can't see them talk. Shien wants Misa's help, but she isn't interested.
She tells him to take the Death Note, but he leaves it with her saying it's hers. Shien later texts Misa for help, and she arrives. She again makes the eye deal with Ryuk, and she writes down Ryuzaki 's name, apparently killing him. When Shien starts to get them out of there, Misa tells him to go on alone because she can't.
She tells him the location he was looking for and she gives him her Death Note, and she stays behind. Misa then goes outside, having written her own name and the circumstances of her death on a scrap of Death Note paper. As written, she dies on December 18th at pm "in the arms of Light Yagami. It is also revealed in the fourth film that Light had a child who would be nine years old. The child was being raised by Teru Mikami , who was Misa's prosecutor after the Kira case.
Although the child's mother isn't directly named, the age of the child and the connection between Misa and the child's guardian implies that Misa is the mother.
Erika Toda said that, prior to filming, she felt "a lot of pressure" due to the character's popularity with audiences. She said the pressure vanished when filming began. Toda said that undoing the straight jacket took a lot of time, and at times she waited in the jacket between takes. Toda also said that on one occasion, she wore a blindfold for an hour during filming. Erika Toda said that she views Misa as "complicated and fascinating.
Misa is mentioned several times in the novel, L: Change the WorLd , and L's obsession with her seems to be much greater. She is extremely famous by now, even working as a singer. Maki Nikaido reveals that she grew up in Osaka, in the same neighborhood as Misa Amane and her family.
Misa was well known in the neighborhood for her beauty, and her family was very close with the Nikaido family. The two families even used to go on vacations together. Maki keeps a computer chip containing photos of the Amane's and her family on vacation to her, which she holds very precious, though agrees to give it to L after he offers to trade her for his notebook, which he values greater than his own life.
Misa and Maki have a close relationship, Maki viewing Misa as an older sister, even after she became famous. Misa cares about Maki as well, going out of her way to help Maki escape, despite it being all over the news that Maki was carrying a deadly and highly contagious virus.
However, the dynamics of Light and Misa's relationship are different because Light in the drama adaption is a fan of Misa, causing him to have romantic feelings for her as well.
Misa also proves to be much useful to Light than in the manga, being the one to finish Raye Penber when Light's plan to kill the FBI agents is botched. Nevertheless, Light still views Misa as a liability and even threatens to write her name in his Death Note should he ever suspect her of implicating him. Misa is a popular singer in the Musical. Just as in canon, she's grateful to Kira and wants to meet him, and she trades for the Shinigami eyes to do so.
Unlike in other versions, Misa isn't shown killing anyone, leaving it unclear if she actually uses her Death Note. Sayu is a fan of Misa, and she takes Light along to one of Misa's concerts, during which Misa openly supports and gives thanks to Kira. When Misa encounters Rem, she insists on finding Kira, so Rem reluctantly offers her the eye deal, which Misa accepts. Misa comes up with a song with a secret message to Kira, which Sayu shares with Light.
Misa also sends tapes to a TV station as the Second Kira. From the song and tapes, Light gets her message and they're able to secretly meet. Misa suggests they date, and Light agrees, but he gets her to give him the name of the man following him, which Misa does despite her reluctance. Misa later goes to visit Light on campus where she meets L and sees his name, but L has her apprehended immediately after. After several days in confinement, she gives up her ownership of the notebook and loses her memories.
Rem laments that Misa has forgotten her as well, and sacrifices herself so that Light can defeat L and save Misa. Misa's fate is unknown. During the ending song, she comes out on stage and sand runs from her hands in a symbol of Rem's remains and of time running out. Misa is portrayed by various actresses for the different musical productions. Adrienne Warren portrayed the character in for the English-language workshop in New York and for the New York studio demo recordings.
Mia is a high school student and classmate of Light Turner , and she helps him after he finds the Death Note. Her role and relationship with Light is much different in this adaptation as Light shows her the Death Note early on for her to take interest in him, and she plays a more dominant part in being Kira with Light. The following information is from Death Note How to Read. Tsugumi Ohba, writer of Death Note , decided to create Misa to be the second Kira before the serialization began.
They felt that having the story solely consist of males would be "boring" and that they wanted "a cute female. Ohba, intending to introduce Misa with the Shinigami Eyes, described her as having to be "spontaneous and not too bright" and that they determined her personality "from the start.
Ohba said that the conception of the name Misa "was kind of random but I think it was from "kuromisa" Black Mass. Ohba said that they were "into that fashion" and that having Misa first appear in unusual clothing would be "more interesting". Obata said that he remembered "having a lot of fun" while looking through Gothic Lolita magazines and drawing Misa. Obata said that he felt "apprehension" regarding the length of Misa's hair; personally he wanted her fringe bangs to be "straight across" but believed that creating Misa completely within the bounds of Gothic Lolita style would be "too much".
Therefore Obata designed her so she looked "a little more natural" and to appear "cute" to people who "weren't into the Gothic Lolita style". Obata, imagining a mix of an "energetic Japanese artist" and a "foreign rock and roll singer", felt "set" when he drew Misa for the first time. When the Near and Mello story arc began and Misa became a top idol, Obata decided to make her look like "a popular actress". When designing color book covers, Obata assigned colors to characters to "get the atmosphere right.
In response to a question inquiring about which characters the creators faced the most difficulty in creating, Obata selected Misa. Obata said that he had difficulty comprehending the concept of "doing anything for the person you love" and that he felt like the character controlled him when he drew her. If someone went through a dramatic experience and then his memory of this thing faded away, would he still be the same person he was after facing this experience with all the scars and all the facts Consulter l'avis complet.
What a disappointment. When you pick a book about a literal killer notebook you expect to I don't know read about a notebook that kills people. But not in this vol. This volume made me realise how much I had been reading for the character Ryuk so far.
It really dragged without him.
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